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Daredevil #105 (SPOILERS)
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How would you rate this issue?
A - Excellent
68%
 68%  [ 11 ]
B - Very good
12%
 12%  [ 2 ]
C - Fair to good
6%
 6%  [ 1 ]
D - Not a big fan
12%
 12%  [ 2 ]
F - Nope, didn't like it
0%
 0%  [ 0 ]
Total Votes : 16

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jumonji
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Joined: 23 Sep 2007
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PostPosted: Thu Feb 28, 2008 9:31 am    Post subject: Daredevil #105 (SPOILERS) Reply with quote

Since no one else has started a topic on this - and I desperately need to vent - here it is. I also added a poll since I've noticed that that was done a lot in the past, and it seemed like a good idea. I suppose there could have been more options, but it's better than nothing.

Well, where do I start? I actually managed to accidentally read a spoiler online before reading the actual issue, so I was a little worried that was going to ruin the experience for me. It didn't. I was also initially (before reading it myself) a little disappointed that the big twist was one that a lot of us saw coming a mile away. There is no cure for Milla's condition. At least none that Cranston himself can provide, and that was just what I had expected. Despite knowing this going in, I was absolutely blown away by this issue. Not only did it tie up all the lose ends, we also got to see a very well-written (and drawn) confrontation between DD and Mr Fear. I even managed to care about what happened between the Hood and Mr Fear, and I'm not usually one to care specifically about the intricate villain-villain relationships in the Marvel U.

More than anything, though, this was an emotional read. What I've felt strongly while reading all of Bru's issues is that this is a world that's next door to our own. It may be a world where a blind lawyer suits up at night to go out and fight crime, but it has much more in common with our own dimension than one might think. When Matt leaves Milla at that mental hospital, he is going through something that is similar to what lots of people in the real world go through when they effectively lose a person close to them to mental illness or even something like Alzheimer's. The thing that makes his situation even worse is that he feels responsible for it. When he tells Foggy, "I ruined her life," you know that he means that. He didn't pull the trigger that shot her mind to pieces - he, in fact, did everything in his power to stop it - but she is where she is because of who he is and what he does. For those of you who like to see Matt suffer, it shouldn't get much better than this.

What was also so expertly done in this issue was the ending with Mr Fear in jail (and running the show), and the Hood watching Matt through his bedroom window from a distance. I love to see this kind of balance between putting everything neatly back in place and getting the bad guys into position to be used again in the future. Cranston may have a corny mask fetish, but he is now a force to be reckoned with.

Finally (this is long, I know), I would like to thank Brubaker for not giving us yet another dead girlfriend. Rather than being stuck in the proverbial refrigerator, Milla is now in some kind of suspended animation. She can be brought back in the future, should Bru himself or any future writer choose to do so, and she will continue to influence Matt and the stories told about him through her mere presence - whether she actually appears in the issues or not - in a way that would not be possible if she were dead. I have to wonder though... Do you think having a wife in a psych ward ages the character? Wink

Hands down, one of the best Daredevil issues ever. I can't wait to see where Bru and the rest of the team take us next.
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Dave Wallace
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PostPosted: Thu Feb 28, 2008 10:59 am    Post subject: Reply with quote

I went for A.

In case you missed my earlier thread (I know you saw it, Christine - I mean anyone else Smile), here's my review.

http://www.comicsbulletin.com/reviews/120403799236234.htm
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jumonji
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PostPosted: Thu Feb 28, 2008 11:25 am    Post subject: Reply with quote

Well, I'm not sure this belongs in this thread, but I have a confession to make. I'm a little disappointed with some of the things I've read on a lot of message boards today, regarding this issue in particular, and Brubaker in general. It's no secret that I'm a very big fan of what he's doing on the book, and I understand that not everyone feels the same way (although most people on this board, at least, seem to have a favorable opinion of him).

What disappoints me is when people have complaints of the "the showdown with Mr Fear wasn't cool enough" variety and when they seem to only like the issue because "yippie, Milla's out of the picture, let's have him date a blonde." (Those are both variants of some of the things I've seen). All I can ask is this: "You followed Matt's pain and anguish, Milla's descent into madness, and the examination of Mr Fear's horrific motivations for six issues, and that's what you got out of it?" Is that it? Talk about missing the whole point...

Then again, I would probably enjoy an entire issue of Matt having an inner monologue on campaign finance reform while eating cereal (if it were well-written), so it may be hard for me to see why people wouldn't be ready to read just about anything with this character in it. I guess that's what being a crazy fan is all about. Wink

As for this issue, I went for 'A' as well. No surprises there.
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Gloria
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PostPosted: Thu Feb 28, 2008 12:53 pm    Post subject: Reply with quote

jumonji wrote:

What disappoints me is when people have complaints of the "the showdown with Mr Fear wasn't cool enough" variety and when they seem to only like the issue because "yippie, Milla's out of the picture, let's have him date a blonde."


Christine, I shouldn't be here still, but yes, I felt like commenting that, as I side with you in that matter.

We recently discussed wheter DD fans are sadists or not. In spite of my arguments in the other thread, I believe that most DD fans really care for Matt, and don't enjoy to see him suffering.

however I'm certain that a lot of fanboys elsewhere are sadists (armchair sadists, of course, it takes some nerve to be a real one)... Too often I read in boards comments like "this or that character should be killed" : sadistic, unimaginative, lame. As you say, one may be enthusiastic or not about Milla, but the "yippees" at having her out of the picture are tasteless and dumb.

A cautionary tale for murderous fanboys can be read here: the fate of Cipher, of the New Mutants.

(Some are even hooking Dakota with Matt already, fer chrissakes! As everyone knows the real chemistry lies between Dakota and the Fogster! Razz )

I won't comment further until reading the issue, but I understand that Matt is somehow in a Mr. Rochester situation, and any lady approaching him with romantic intentions is bound to play the Jane Eyre bit.
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Neilan
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PostPosted: Thu Feb 28, 2008 12:57 pm    Post subject: Reply with quote

I had to go with A. A top-notch issue all around. Ended the arc neatly and logically while laying groundwork for future developments. Mr. Fear is now firmly established as an A-list villain. (Hey Overlord, like me, you've been wanting Purple Man back. Well, now Mr. Fear is basically Purple Man, but more calculating and with a bug up his tush when it comes to Matt).

Although I expected the development with Milla, it was nonetheless emotionally intense. It shows what a good, or in this case, great writer can do with any situation. It's a shame that Marvel didn't have Bru resolve the Spider marriage.

With this arc, I feel that Mr. Brubaker has cemented his position in the pantheon of DD writers. He is true to the legacy of Frank Miller without constant imitation. Daredevil and his supporting characters are in great hands.
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The Overlord
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PostPosted: Thu Feb 28, 2008 1:47 pm    Post subject: Reply with quote

Neilan wrote:
I had to go with A. A top-notch issue all around. Ended the arc neatly and logically while laying groundwork for future developments. Mr. Fear is now firmly established as an A-list villain. (Hey Overlord, like me, you've been wanting Purple Man back. Well, now Mr. Fear is basically Purple Man, but more calculating and with a bug up his tush when it comes to Matt).

Although I expected the development with Milla, it was nonetheless emotionally intense. It shows what a good, or in this case, great writer can do with any situation. It's a shame that Marvel didn't have Bru resolve the Spider marriage.

With this arc, I feel that Mr. Brubaker has cemented his position in the pantheon of DD writers. He is true to the legacy of Frank Miller without constant imitation. Daredevil and his supporting characters are in great hands.


Now see I don't like the fact that Cranston is similar to Purple Man now. When revamping or creating a rogues gallery you want to make these villains as different from each other as possible. Cranston already had enough going for him without the Purple man powers, he had a good motive, he now completely lacks any sense of fear (which makes a good contrast to DD) and had the power of emotional control (rather than out and out mind control). The PM powers are not needed, Cranston has enough stuff without stealing Killgrave's act.

Really now, I would rather Cranston not have the PM powers and Killgrave just show up later. Their characters are different, Cranston obsessed with revenge, while Killgrave is far more of general sadist. I think there are stories where Killgrave is a better fit then Cranston.
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Dave Wallace
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PostPosted: Thu Feb 28, 2008 3:32 pm    Post subject: Reply with quote

Gloria wrote:
I won't comment further until reading the issue, but I understand that Matt is somehow in a Mr. Rochester situation, and any lady approaching him with romantic intentions is bound to play the Jane Eyre bit.

Yes, and that's an excellent comparison.

The Overlord wrote:
Now see I don't like the fact that Cranston is similar to Purple Man now. When revamping or creating a rogues gallery you want to make these villains as different from each other as possible. Cranston already had enough going for him without the Purple man powers, he had a good motive, he now completely lacks any sense of fear (which makes a good contrast to DD) and had the power of emotional control (rather than out and out mind control). The PM powers are not needed, Cranston has enough stuff without stealing Killgrave's act.

Really now, I would rather Cranston not have the PM powers and Killgrave just show up later. Their characters are different, Cranston obsessed with revenge, while Killgrave is far more of general sadist. I think there are stories where Killgrave is a better fit then Cranston.

Maybe Brubaker plans to play the two villains off against one another in future? That might make for an interesting story.
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harryhausen
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PostPosted: Thu Feb 28, 2008 5:47 pm    Post subject: Reply with quote

I definitely liked the issue and thought it had it moments. I know that we're lucky to have Brubaker on the book (I love him on Uncanny, too). The reason I gave it a 'fair' rating are the two ongoing things that bug me:

1. We see Matt as only responsive to the action of villains. He seems lost and ... torturing? I guess. Swinging around, beating himself up in the internal monologue, confused. I like a proactive DD.

2. The art is great in a sequential story-telling way, but it never makes me excited (I feel the same way about Epting&Co. on Cap). It looks like TV stills. And DD seems a little out-of-shape or something? I could almost read these issues as prose and get as much from them. The good news is that the art stays out of the way and does nothing to distract from the relentless tide of Brubaker's writing. It's Brubaker's book.

Overall, I think he's doing a fine job, keeping it moving and so on, but if I weren't already a huge fan of the character, I would be on the fence about it more.

I have high hopes for the future, though. Maybe things are getting into place for Brubaker to start telling a new sort of story.

P.S. I think that Milla being made crazy and consigned to an "institution" is maybe worse than simply being killed. Plus, what if Brubaker ends his run with her cooling her heels upstate and then some hack comes around later and brings her back, makes her a super-villain or something? Yikes. Maybe Bru can get Emma Frost to jet on over and fix Milla's head?
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SouthernHero
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PostPosted: Thu Feb 28, 2008 6:33 pm    Post subject: Reply with quote

It was very good, well-worth the $3, but I must say that I expected a little more after all of this...
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Blind Alley
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PostPosted: Thu Feb 28, 2008 6:39 pm    Post subject: Reply with quote

I liked the issue but I'll only give it a "B".

The story is solid and the conclusion, while foresightable (some people had suspected there would be no cure for Milla), is logical.
For me, it just lacks "F##k yeah moments" (see Dave's Long box for the definition).
Also, I miss DD being a hero and not a victim.
Lately rjg reminded us of that scene of "Born Again" when Matt gives the "Take it off" line to Turk.
The stand-alone showdowns had plenty examples of similar moments (DD vs the Vulture, DD saving NYC, DD facing the Devil...)
In the "Without Fear" arc, the closest thing to "F##k yeah moments" I can remember is in #100 when DD overcomes fear and madness.
The "Devil in Cell-Block D" had much more great scenes (Matt vs the Owl, Hammerhead, meeting the Punisher, fighting with the Kingpin...)

Please Mister Brubaker, for the next issues, bring back the hero and give him some kind of a true reward (and not a crazy wife instead of a dead one) !
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train
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PostPosted: Sat Mar 01, 2008 12:27 am    Post subject: Reply with quote

i've talked a little trash about this story arc, but this issue was fantastic. mr. fear is way cool.
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pbblair
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PostPosted: Sun Mar 02, 2008 4:07 pm    Post subject: Reply with quote

Just read it.

I didn't like:
Matt finding Fear by listening. Why didn't he just do this before?
Fear being like Purple Man now--- but that's not a story issue, just a rogue's gallery complaint

I liked:
First panel of DD/Fear confrontation on roof
That I was pissed when DD threw Fear off the roof, but the following page made me feel better
"No cure" twist (But can't he just call Dr. Strange? I guess that's the tough part about placing a human story like this in the Marvel U.)

Overall it was great, but I'm very much ready to move away from hero-as-target stories. "DD-- protector of himself and his girlfriend" is not that interesting to see over and over. I like to see complications arise as DD intervenes in other business. Let this protagonist have goals besides maintaining his personal life status quo!

Regarding harryhausen's point #2, I enjoy that the art is very "filmable." It's actually interesting to note the shot/reverse techniques, and how they follow the 180-rule for filming pretty strictly. Someone on staff must have a background in that because it can't be coincidence.
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jumonji
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PostPosted: Sun Mar 02, 2008 4:33 pm    Post subject: Reply with quote

pbblair wrote:
Just read it.

I didn't like:
Matt finding Fear by listening. Why didn't he just do this before?

I was divided on this one as well, but for slightly different reasons. While I think this is a very cool scene, it is also impossible to do (laws of physics and all that...). However, this is a superhero comic and a little poetic license is warranted. What would have been more realistic would have been for DD to track Mr Fear's scent leading from Lily's apartment... The reason I'm much more okay with this than a similar scene in #169 (Devils), where he's listening to a single cough in the entire city, is that he is at least admitting that it's very difficult to do and that the search is restricted to a few blocks...

...which brings me to defending why he didn't just do it before. In this instance, he was tipped off to a specific time and an approximate location (Hell's Kitchen is rather large, but he would probably know which specific blocks would be most likely). I don't think Fear has actually been in the neighborhood much during the rest of the arc, and the rest of the city is most definitely out of his range. Considering how futile this would be if he didn't at least know when and where to focus his attention, it would make sense for this "search technique" to be a last desperate resort.

pbblair wrote:

"No cure" twist (But can't he just call Dr. Strange? I guess that's the tough part about placing a human story like this in the Marvel U.)

Yes, with so many other characters in the Marvel U with such immense powers it's difficult to tell these kinds of stories and not have something like this be an issue. As a matter of fact, with so many characters having spare body parts, you'd think that Reed Richards, or someone like him, would have offered Matt a retinal implant years ago. At the end of the day, I think DD works better in his own little universe in at least this respect. While we're on the subject, how does one even explain Matt being Catholic when he knows for a fact gods like Thor and Hercules exist? Wink

pbblair wrote:
Let this protagonist have goals besides maintaining his personal life status quo!

Amen to that!

pbblair wrote:
Regarding harryhausen's point #2, I enjoy that the art is very "filmable."

I totally agree. With the art in this book, it's so easy to see what's going on and you get a very nice feel for what each scene looks like. I used to prefer Maleev's art (still love him), but now I actually think Lark is just as good.
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Gloria
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PostPosted: Sun Mar 02, 2008 6:29 pm    Post subject: Reply with quote

The issue is an awesome ending of the saga. I just love how Brubaker is capable of effectively wrapping everything up.

My complaint (though not story-wise), is to see Milla lost and out. OK a maddened wife in an asylum as an hibernated character is way better option than a corpse in the refrigerator (or out of it), and her being alive gives the hope that a counter-venom will be eventually found out, her mind health restored, and her being able to decide freely what to do with her life with Matt. But seeing Milla at the end of te story surely made a lump in my throat. It was so sad, you could really empathise with Matt (and no, Matt, you have not ruined her life: Cranston did)

Again I doubt anyone will be laughing at Mr. fear as a villain now: I HATE the guy for what he's done to Matt... RAAAAAH BsssSSTaaaAAArd! If I were Matt, honest, I would have made a souvenir with some body part of Cranston in retaliation. I even hate it more that he's the king at Rykers and doing pretty much what he pleases (Is Cranston's rule over inmates and C.O.s overlooked by the directing staff of the prison? Wasn't Ryker's Warden an ally of Matt at the end of "Devil in Cell Block D"?). I hate Cranston gloating about his screwing Matt's life. I really hate it (which speaks a lot about the powerful way in which Brubaker has re-vamped this villain).

... And yet, I feel that Matt will rise again and eventually have a smashing victory over Fear, why? Cranston's rule over others is based in his Drugs... without them he's nothing, absulutely nothing but a powerless Mediocre: a Salieri who can only succeed in making a Mozart suffer... Allright, he's got a clever scheming mind, but I'd rather root people who use their talents to help others, no for nutty machiavellies who use a petty schoolyard grudge to massacre a neighbourhood.

In this sense, I feel Matt has the moral victory: Cranston only rules because he induces others to fear him.. not because he's fearsome, but because he's helping himself with drugs: Matt's pals, on the other hand, need no drugs, no outside pressure to stand by him.. they are loyal in spite of knowing that their acquaintance with Matt makes a target out of them (a rather brave stand in the circumstances)... and here lies their strenghth: Matt's got people with him that will stick with him in the foulest of weathers, and he himself can face a storm and come out of it. I have no doubts who will win in the end.

Where's Lily, BTW? with her pheromone power she could ask anybody "pu-leez, honey, will you forget I passed through the International airport customs" Laughing even I don't see her now in a Madame P'Gell mood: she's most likely to be traumatized by the whole thing. I have the weird theory that she might have found refuge in a convent, and might become a nun to purge her sins.

P.S.: In teh future, I'd liek Matt to do something more than "keep tabs" on former enemyes... I'd like him to be more prepared against attacks -against him or his people- and more proactive.
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blacktyphoid
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PostPosted: Sun Mar 02, 2008 6:49 pm    Post subject: Reply with quote

Neilan wrote:

With this arc, I feel that Mr. Brubaker has cemented his position in the pantheon of DD writers.


I presume you mean in the pantheon of "great" DD writers. Okay. If that's the way you feel, I can't argue with your point of view.


Neilan wrote:
He is true to the legacy of Frank Miller without constant imitation. Daredevil and his supporting characters are in great hands.


However, I do take serious issue with this line of yours. I'm sorry - but this blind devotion to everything Miller (which so many DD readers are so painfully guilty of, I may add!), as if there's no other way to guage a creator's effectiveless and contributions other than comparisons to Miller, makes me want to hurl!

Why must a writer (or artist for that matter) be positioned alongside Miller or to be following "the legacy of Frank Miller without constant imitation" to be considered a great writer or contributor to Daredevil? Don't get me wrong here, Miller was great. But c'mon! The guy wasn't perfect. Not everyone likes all the gritty, noir changes he made or all the ninja stuff he infused into the story (similar to the way many of us hated the science fiction stuff Steve Gerber inserted into the book). And, as a result, not all of us DD followers worship in the Temple of Miller or appreciate everything he did with the character. (For instance in a different thread, I outlined an important visual element about the Colan Daredevil that's been absent since he departed the scene.) So please - Stop positioning Miller within his own pantheon of greatness, upon which all other creators must be judged to be worthy. Yet this is precisely what you are doing. And that's just plain unfair and wrong.

If you feel Brubaker is great (and that's okay), then let him be great - in his own right! Let his contributions mark their own unique pantheon of greatness.

As for me, Brubaker is great - as Brubaker, not as a Miller clone (minus the "constant imitation", of course).
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